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The two press briefings by the foreign secretary and Ministry of External Affairs spokesperson entertained no questions. Without any official statement on the number of casualties by the Indian government, the Indian news media reported that 300 terrorists were killed, citing government sources. ", "Documentary photography has amassed mountains of evidenceyetthe genre has simultaneously contributed much to spectacle, to retinal excitation, to voyeurism, to terror, envy, and nostalgia, and only a little to the critical understanding of the social world.". Professor Nandita Sharmas work is an excellent way to engage with this history. How did you achieve empathy in your writing, without the privileged lens that is common in journalistic canon? One of the reasons why this book was written was to step back: to say that this violence that you and I listen to and encounter is not new to say that this violence is not new. This Life Draws Attention to Life Behind Bars and the Transcendent Power of Rap, Wrestling with Reality in The Big Door Prize. Is secularism a good thing? This is such an insidious conversation to have; this was even before Adani bought it. I am repeating what I have said before, "Kashmir is Indias greatest moral and political failure. Q: Speaking about the content of the work, by including under-represented perspectives on the frequently debated partition and border laws you present a novel perspective to journalistic canon. The nation-state and its ruling class view borders as very different from the people who inhabit these liminal spaces or communities that have been affected by border making and policing practices. We must realise that its the grassroots media, who represent themselves, document what mainstream media ignores, and bring to notice what is important. In that process, her reportage unravels the cultural and political implicationsof our bordersonour 'collective conscience', as capricious as that might be, and on the lives of those sandwiched between two warring nations. Without a political solution, Kashmir will undoubtedly emerge in upcoming news cycles. Zoya, a young female officer, is now confined to her wheelchair, and Milind, who also makes it out alive, is seen at home with drawn curtains, battling trauma. We cant continue to see this in neo-liberal terms like stakeholder. I think the usage of this kind of language is ineffectual; its emptied of imagination. Invariably its the writer who is the protagonist. Suchitra Vijayan undertook a 9000 mile journey over seven years to India's borderlands to write Midnight's Borders: A People's History of Modern India. When I left him (the first time), I had a one-year-old daughter. The controversy surrounding the Rafale deal and allegations of corruption against the government were suddenly sidelined, as was the order for the eviction of more than a million forest dwellers (that was later stayed) and a hearing on the repeal of an important constitutional clause before the Supreme Court. There is something deeply flawed in the way we live today. While Border Pillar No 1 becomes a convenient stump for children playing cricket along the land that India shares with Bangladesh, roughly 2000 kilometers away in Punjab a woman farmer watches on as the army builds a bunker on the few acres of land she owns. In our social and economic life, we shall, by reason of our social and economic structure, continue to deny the principle of one man one value. Excerpts from the #BBC documentary telecast about PM . In addition, she is an award- winning photographer, the founder, and executive director of the Polis Project, a hybrid research and journalism organization. Copyright 2023, THG PUBLISHING PVT LTD. or its affiliated companies. Always. Having been trained in law, Suchitra Vijayan initially worked at the United Nations war tribunals in Yugoslavia. History and memory is localwhich means its almost impossible to write about India. Along the way, we meet the men and women of TASC, dissenting students, ISIS terrorists and Pakistani military officers. Born and raised in Madras, India, she is the author of the critically acclaimed book Midnight's Borders: A People's History of Modern India (Melville House, New York). The book was called ``a genre-bending book of nonfictionmade Instead, she shows the absurdity of the army apparatus that strives to comply with the narrative of patriotism. Panitars division is as cruel as it is arbitrary: here, the houses on either side of one dusty lane occupy two neighbouring countries. And, in many cases, they are children of the literary, cultural, or political elite who have long been the beneficiaries of the Indian state. My job was to make sure that their voices were centered. What matters is that the book exists. Last edited on 23 February 2023, at 09:35, Filmfare Award for Best Female Playback Singer Telugu, 2nd South Indian International Movie Awards, "Suchitra going through certain emotional condition: Husband Karthik on her tweets", "Will Trisha sound like Trisha in Mankatha? She is not alone. If it does, I have failed. According to a new World Health Organization report, we lost as many as 4.7 million people in India. She lucidly explains the complicated history of the McMahon Line, how the India-China border is the result of a fabrication perpetuated by the British colonial administration. Sometimes they are no more, but your storytelling is so invigorating that the reader doesnt forget them. The events of 9/11 had profound effects on how border security projects and politics played out. Perhaps that offers some protection? Q: As you wrote this book, you dont hesitate to meditate on how your personal life bidirectionally impacted the book. In Afghanistan, Kashmir, and India, from one dangerous conflict zone to another, she spoke with people, ate with them, and listened to their stories. I want to flag two essays where I engage with this in an in-depth manner, Disaster Ruins Everything, on my work in Haiti, and what it means to photograph disaster, especially when it is Brown and Black bodies. We see that during the journey, in a number of places, people stood in lines to speak with you, to show their paperwork to youhow did you negotiate the weight ofthose expectations, which might not have been explicit, but were still very much present? Often, we settle comfortably into describing things as communal riots instead of saying that it was a state-abetted violence, a pogrom, or a brutal massacre. Apart from his long-suffering wife, no one else in the family knows that he is a spy. So now, how do we respond to this? Thanks to The New India Foundation for sending across a beautiful copy of the Midnights Borders. It offers brief historical notes on how the nations current borders came into force alongside accounts of increasing militarisation, disputes, little massacres and forgotten pogroms, no-mans-lands, and the people through whom the border runs like barbed wire. I dont have apprehensions. suchitrav. This is the age of erosion of citizenship rights, a kind of ongoing attrition against human rights, civil liberties, and in the case of India, an accelerated dilution of fundamental rights. Even those who now write about Modis India, will never write about Brahmanism or be critical of how caste works in the diaspora. It seems that they have a different eye for these women, who they describe as cunning, deceitful, and in some cases, prostitutes'. Vijayan: As we have this conversation, Dr. Stan Swamy, the eighty-four-year-old Jesuit priest, Indias oldest political prisoner, was murdered by the Indian state with the complicity of the judiciary. Born and raised in Madras, India, she is the author of the critically acclaimed book Midnight's Borders: A People's History of Modern India (Melville House, New York). Anvisha Manral March 20, 2021 09:50:40 IST I kept detailed audio notes that I recorded each night when I traveled. She sang her first song for the movie, Lesa Lesa under the composition of Harris Jayaraj and her co-singer was the legendary, K. S. Chitra. She is the executive director of the Polis Project . The government, of course, denies this. In season two, a quick flashback resolves the plotline from the previous season. So here, 'Midnight' functions as a moment of violent birth, but also perhaps the foundational violence that becomes codified in various ways, especially in the bodies of people farthest away from power. The Rumpus: It is shocking how unaware the world is about the violence the Indian government has committed since independence on its border citizens. In retaliation, the Indian Air Force carried out an airstrike on an alleged militant training camp in Balakot in Pakistans Khyber Pakhtunkhwa province. We know that the purpose of borders has kept changing for nations. Suchitra Vijayan talks to FII about Indian politics, communal violence, marginalisation and her book Midnights Borders: A Peoples History of Modern India. [1], Suchitra joined Sify for a year, after graduating. Q: You frequently describe certain borders as porous. Because you are constantly thinking about the ethical universe you are bringing this child into What values do you teach this child? 'Music I Like', an album of Suchitra's renditions of Mahakavi Bharatiyaar's poetry, set to contemporary tunes and music, released by Universal Music, was a turning point in her career. In another essay from 2019, I write about the banality of bearing witness as an excuse to produce extractive work. These questions about documentation practices started long before I started this book project, and I learnt along the way. The book arrived in the middle of a pandemic and a devastating second wave [of COVID-19] in India. I can see small cracks beginning to appear. So we might never know the true extent of this loss. Suchitra Vijayan was born and raised in Madras, India. Despite the failures in investigation and prosecution related to criminal trials arising out of the pogrom, the judiciary has projected itself as an able and willing neutral arbiter of justice that is not complicit with the deep structures of Hindutvas anti-Muslim prejudice https://t.co/EFf5bxYEBt, True societal change has always emerged from the ground-up, with communities fighting for their own freedom and dignity. Qin took charge as Chinese foreign minister in December, succeeding Wang Yi. Suchitra Vijayan is a writer, photographer, lawyer, political essayist, and a lecturer. In 2020, Suchitra took part in the fourth season of the Tamil reality television show, Bigg Boss Tamil hosted by Kamal Haasan. Sometimes lost. He writes about how when the Constitution was adopted, "We are going to enter into a life of contradictions. Suchitra Vijayan's debut book, Midnight's Borders, is a genre-bending book of nonfictionmade of stories, encounters, vignettes, and photographsabout home, belonging, and displacement.The book recounts the author's recent journey across India's land borders covering 9000 miles over a span of seven years. Although Vijayan critiques the state and its complicity in violence and erasure of lives, she refrains from villainizing the men who serve the state. But Pakistan responded by rejecting these claims and told the Associated Press that the area was mostly deserted wooded area and that there were no casualties or damage on the ground. More than two weeks after the attack, our analysis finds that no news site had rectified the errors in their reporting, leaving these misleading facts as a matter of public record. Stallings, Rumpus Original Fiction: The Litany of Invisible Things. The result is a gripping, urgent dispatch from a modern India in crisis, and the full and vivid portrait of the country weve long been missing. Suchitra was born in Chennai, Tamil Nadu, India, as the daughter of Ramadurai and Padmaja. She lives in New York. In terms of violence, there is also this tendency to photograph and display the bodies of marginalised communities when they experience violence. 'Suchitra's account of her journeys across the undefinable and ever-shifting borders between India and its neighbours is gripping, frightening, faithful and beautiful. Vijayan is no stranger to stories of violence. They continue to. The book was originally going to be a photographic body of work, which changed when I started writing. We need to think about border practices, policing, and national security policies within the larger historical and political contexts. The complexities of the Naga peace process were apparent on a visit to remote villages of Tuensang district where many of the women remained silent with others admitting they had never encountered an outsider, except Indian soldiers. That changes how you write and photograph a place. They both have pregnant daughters, a fact that becomes significant as the novel progresses. How do you think your book contributes to the larger conversation about India? Book reviews and author interviews with a Southern focus. You need a community of people to support you. Time to let the diplomats do the hard talk. Ten years later, you were in Kashmir, where you 'hoped to find answers' by talking to a family that had lost a son. Keywords: LTTE love jihad Beef politics Hindu Nationalism Kashmir One feedback I often got was that I had to put more of myself in this book. There are enough stories of people parachuting into communities to do human interest stories. Empathy is taught by our communities; we are brought up with it. Co-founded the Resettlement Legal Aid Project in Cairo, Suchitra is also the founder of the Polis Project, a research and journalism organisation. Whose Stories Are Told In Indian History? Lets start with a very simple statement that everyone can agree on: the way were living right now cannot continue. Also, I am an unknown and insignificant entity. RT @project_polis: Writing fiction in a dystopian world - @kiccovich in conversation with @mohammedhanif https://thepolisproject.com/listen/writing-fiction-in-a . Many of the stories didnt make it to the book because it became dangerous to identify people. The Rumpus is a sponsored project of Fractured Atlas, a non-profit arts service organization. As she travelled 9000 miles over seven years across Indias borders, some drawn so hastily that they cut across fields, homes and courtyards, she met men, women and children, finishing with endless notebooks, over a thousand images and more than 300 hours of recorded conversations. Her quest took her to the farthest ends of the India-Bangladesh/ China/ Myanmar/ Pakistan borders. We thank her for her time, patience, and illuminating insights into her work. She completed her MFA in Writing (Fiction) from the University of San Francisco where she was awarded the Jan Zivic Fellowship and is about to begin her PhD in English with a Creative Dissertation from the University of Georgia, Athens.
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